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Feud Season 1 Episode 4 Feud Bette and Joan Fan Art

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American anthology television series

Feud
Feud: Bette and Joan in white on crimson background

Intertitle from Bette and Joan

Genre
  • Docudrama
  • anthology
Created by
  • Ryan Murphy
  • Jaffe Cohen
  • Michael Zam
Starring
  • Jessica Lange
  • Susan Sarandon
  • Judy Davis
  • Jackie Hoffman
  • Alfred Molina
  • Stanley Tucci
  • Alison Wright
Composer Mac Quayle
Country of origin United States
Original linguistic communication English
No. of seasons i
No. of episodes 8 (list of episodes)
Product
Executive producers
  • Ryan Murphy
  • Dede Gardner
  • Tim Minear
  • Alexis Martin Woodall
Producers
  • Jaffe Cohen
  • Renee Tab
  • Michael Zam
  • Jessica Lange
  • Susan Sarandon
Production locations Los Angeles, California
Cinematography Nelson Cragg
Editors
  • Andrew Groves
  • Adam Penn
  • Ken Ramos
Running fourth dimension 45–58 minutes
Product companies
  • Programme B Entertainment
  • Ryan Murphy Productions
  • Touchstone Idiot box (season 1)
  • 20th Television (season 2)
  • FXP (flavour two)
Distributor 20th Tv set (season ane)
Disney Platform Distribution (flavour ii)
Release
Original network FX
Original release March 5, 2017 (2017-03-05) –
present

Feud is an American docudrama boob tube series created by Ryan Murphy, Jaffe Cohen, and Michael Zam, which premiered on FX on March v, 2017. Conceived as an anthology series, Feud's first season, Bette and Joan, chronicles (over eight episodes) the well-documented rivalry betwixt Hollywood actresses Joan Crawford and Bette Davis during and later the production of their psychological horror thriller film What Ever Happened to Baby Jane? (1962). Jessica Lange and Susan Sarandon star as Crawford and Davis, respectively. Judy Davis, Jackie Hoffman, Alfred Molina, Stanley Tucci, and Alison Wright feature in supporting roles. Academy Accolade-winning actresses Catherine Zeta-Jones and Kathy Bates also announced.

Critically acclaimed, with major praise for Lange and Sarandon'due south performances, the serial garnered several accolades. It received eighteen nominations at the 69th Primetime Emmy Awards and won two, including Outstanding Hairstyling and Makeup (Non-Prosthetic). Bette and Joan also received six Critics' Choice Awards, four Golden World Awards, two Screen Actors Guild Awards, and iii Television set Critics Association Awards nominations.

In February 2017, FX renewed the serial for a x-episode second flavor. In April 2022, it was announced to be Capote'south Women, with Jon Robin Baitz serving as showrunner/writer, Gus Van Sant as director, and Naomi Watts starring as Infant Paley. The season volition focus on the fallout of a roman à clef story written by writer Truman Capote based on the lives of several New York socialites.

Summary [edit]

The series (subtitled Bette and Joan in apprehension of future seasons) centers on the backstage boxing between Bette Davis (Susan Sarandon) and Joan Crawford (Jessica Lange) during and after the production of their 1962 flick What Always Happened to Baby Jane? [ane]

Cast and characters [edit]

Main [edit]

  • Jessica Lange equally Joan Crawford/Blanche Hudson
  • Susan Sarandon every bit Bette Davis/Baby Jane Hudson
  • Judy Davis as Hedda Hopper, gossip columnist
  • Jackie Hoffman every bit Mamacita, Crawford's housekeeper
  • Alfred Molina as Robert Aldrich, manager/producer of What Ever Happened to Babe Jane? and Hush...Hush, Sweet Charlotte
  • Stanley Tucci as Jack L. Warner, caput of Warner Bros.
  • Alison Wright equally Pauline Jameson, Aldrich's banana

Recurring [edit]

  • Catherine Zeta-Jones as Olivia de Havilland, Davis'due south friend and fellow extra who costars with her in Hush...Hush, Sweetness Charlotte and participates in a 1970s documentary on Crawford
  • Kathy Bates as Joan Blondell, Davis'southward friend and fellow actress who participates in a 1970s documentary on Crawford
  • Kiernan Shipka equally B. D. Merrill, Davis's daughter
  • Dominic Burgess as Victor Buono, an actor who costars in What Ever Happened to Baby Jane? and Hush...Hush, Sweet Charlotte
  • Reed Diamond as Peter, Joan'due south latest paramour
  • Joel Kelley Dauten equally Adam Freedman, a documentary filmmaker
  • Molly Toll as Harriet Foster Aldrich, Robert Aldrich'south wife
  • Ken Lerner every bit Marty, Crawford'south agent

Historical figures [edit]

Feud features appearances by a number of actors, directors and other historical figures of the period, including:

  • Alisha Soper as Marilyn Monroe, winner of the Best Actress Golden Globe in 1960 for Some Similar It Hot
  • Mark Valley as Gary Merrill, a fading actor and Bette Davis'south estranged fourth husband
  • Jake Robards every bit Patrick O'Neal, Bette's costar in the Broadway production of The Dark of the Iguana
  • Lizz Carter equally Margaret Leighton, Bette'southward costar in the Broadway production of The Dark of the Iguana
  • Kris Black as Cliff Robertson, Joan'due south costar in Autumn Leaves
  • Jon Morgan Woodward as Alfred Steele, the CEO of the Pepsi-Cola Company and Joan Crawford's fourth hubby
  • Tom Berklund as Fred MacMurray, Joan's costar in Above Suspicion
  • Kerry Stein as Louis B. Mayer, Metro-Goldwyn-Mayer studio head
  • Scott Vance every bit Michael Curtiz, director of Mildred Pierce who gave Crawford her Best Actress Oscar in 1945
  • Toby Huss equally Frank Sinatra, vocaliser and player who stars in Aldrich's film 4 for Texas
  • Cameron Cowperthwaite as Michael Parks, Bette'due south costar in an episode of Perry Mason
  • Daniel Hagen every bit Michael Luciano, movie editor of What Ever Happened to Baby Jane?
  • Taylor Coffman as Lee Remick, Davis's co-nominee for Best Actress in 1963
  • Sarah Paulson every bit Geraldine Page, Davis's co-nominee for All-time Actress in 1963
  • Cash Black as Rip Torn, Geraldine Page'southward husband
  • Raymond J. Barry as Hal LeSueur, Joan Crawford's blood brother
  • Serinda Swan equally Anne Bancroft, winner of the All-time Extra Oscar in 1963 for The Miracle Worker
  • Paris Verra as Patty Duke, winner of the Best Supporting Actress Oscar in 1963, who appeared with Bancroft in The Miracle Worker
  • Phillip Boyd equally Maximilian Schell, winner of the All-time Actor Oscar in 1962 for Judgment at Nuremberg
  • Anthony Crivello as David Lean, winner of the Best Director Oscar in 1963 for Lawrence of Arabia
  • Bryant Benefaction as Gregory Peck, winner of the Best Thespian Oscar in 1963 for To Impale a Mockingbird
  • Louis B. Jack every bit Ed Begley, winner of the Best Supporting Actor Oscar in 1963 for Sweetness Bird of Youth
  • Anthony Tyler Quinn as Wendell Corey, president of the Academy of Motion Motion picture Arts and Sciences from 1961 to 1963
  • Eric Callero as Jack Lord, actor who attended the 35th Academy Awards
  • Lindsay Hanzl as Eva Marie Saint, extra who attended the 35th Academy Awards
  • Greg Winter as Robert Stack, actor who attended the 35th University Awards
  • John Rubinstein as George Cukor, a moving picture director and longtime friend of Crawford
  • John Waters as William Castle, the managing director and producer of Crawford's 1964 horror B movie Strait-Jacket
  • Earlene Davis as Agnes Moorehead, an actress who costars in Hush… Hush, Sugariness Charlotte
  • Matthew Glave as Joseph Cotten, an actor who costars in Hush… Hush, Sweet Charlotte
  • James Hawthorn as Bruce Dern, histrion who appears in Hush… Hush, Sugariness Charlotte
  • Melissa Russell as Diane Baker, Joan's costar in Strait-Jacket

Episodes [edit]

Flavor ane: Bette and Joan (2017) [edit]

Production [edit]

Evolution [edit]

Ryan Spud, a fan of Davis since his babyhood, interviewed the extra just months before her decease in 1989. The agreed-upon 20-minute interview lasted four hours, and inspired his label of Davis in Feud. He said, "When I would ask her about Joan Crawford ... She would just go on about how much she hated her. But and so she would sort of say ... 'She was a professional person. And I admired that'."[x] Potato first conceived Bette and Joan as a film years earlier the FX series, and approached both Sarandon and Lange most the lead roles.[11] Sarandon said, "Information technology only felt like it didn't have a context, simply being bitchy and kind of funny, but what else? In expanding it to 8 hours, you could get more complexity and so many other characters."[12]

Feud: Bette and Joan was being written at the aforementioned time that Murphy was forming his Half Foundation, which promotes an increased presence of women in movie and television production positions.[12] The series features 15 interim roles for women over xl,[12] and half the episodes were directed by women, including actress Helen Chase.[eleven] Initially conceived as an anthology series, Feud, adult past Tater, was picked upward to series past FX on May 5, 2016.[xiii] Bette and Joan was inspired by the existent-life feud between Crawford and Davis,[13] and explores issues of sexism, ageism, and misogyny in Hollywood.[12] Its viii episodes were expanded from a characteristic-length screenplay Murphy had optioned called Best Extra by Jaffe Cohen and Michael Zam.[14]

Sarandon said, "In our story, information technology was a fact that [the people backside Baby Jane] encouraged the animosity [between Crawford and Davis], first of all to control them, second of all to make what they idea was more onscreen tension, and that really hasn't changed a lot."[12] Melanie McFarland of Salon wrote that the serial shows "simply how brutal the Hollywood system was on some of the greatest talents in its empyrean" and that it "cuts to the root of why collaborating and delighting in the fall of the mighty is eternally marketable."[15] The Crawford-Davis feud was also documented in Shaun Considine'southward 1989 book Bette and Joan: The Divine Feud.[sixteen]

Casting [edit]

Frequent Irish potato collaborator Jessica Lange and Susan Sarandon were attached to star every bit Joan Crawford and Bette Davis in Feud. Alfred Molina, Stanley Tucci, Judy Davis, and Dominic Burgess were also a part of the cast, in the roles of Robert Aldrich, Jack Fifty. Warner, Hedda Hopper, and Victor Buono, respectively.[13] In Baronial 2016, Catherine Zeta-Jones and Sarah Paulson joined the cast playing Olivia de Havilland and Geraldine Page, respectively.[17] [18] [nineteen] [20]

In September 2016, it was reported that American Horror Story executive producer Tim Minear would exist co-showrunning the serial with Murphy. Jackie Hoffman joined the cast as Mamacita, Crawford's housekeeper.[21] In November 2016, Molly Price, Kathy Bates and Alison Wright joined the cast of the series, in the roles of Harriet Foster, Joan Blondell, and Pauline Jameson.[22] [23] [24] In January 2017, it was announced Kiernan Shipka was cast in the series as Davis's daughter, Barbara "B.D." Sherry.[25]

Sarandon admitted to initially existence "overwhelmed and terrified" about the prospect of portraying Davis accurately. She said, "She's so big and she really was and then big, so I tried non to make her a extravaganza or someone a female person impersonator would do ... That was my fright, that she would just be kind of i-dimensional."[12] Lange said her performance was informed by her view that Crawford'south "fell childhood" was masked by the "beautiful, impenetrable veneer of this keen, gorgeous movie star ... So she was always on, which is a tremendous burden in and of itself, merely always at that place was this matter lurking underneath of being this poverty-stricken, abused, unloved, abandoned young child and woman."[12] Both Sarandon and Lange researched their roles by reading books by and about Davis and Crawford, and watching and listening to Goggle box performances and recordings.[eleven] [25]

Hereafter [edit]

On February 28, 2017, FX renewed the serial for a 10-episode 2d flavour, subtitled Charles and Diana. The season was to center on the human relationship between Charles, Prince of Wales and Diana, Princess of Wales, with Murphy and Jon Robin Baitz attached as writers.[26] Information technology was afterward renamed Buckingham Palace,[27] while Matthew Goode and Rosamund Pike were bandage in the titular roles.[28] The plans for Buckingham Palace were eventually scrapped in August 2018, but Murphy still intends to do farther cycles of Feud.[29] In November 2019, Murphy commented that he had no plans for some other season but was open to resume work on Feud: "My deal is with Netflix. That'south not to say that years down the line that I couldn't redo information technology or renew if I had a groovy idea. I think everyone is open to that merely I'm working on and then many other things."[thirty]

On April 1, 2022, the second season, entitled Capote'due south Women, was announced with Jon Robin Baitz serving as showrunner/writer, Gus Van Sant as director, and Naomi Watts starring as Baby Paley. The flavour will focus on the fallout of a roman à clef story written by author Truman Capote based on the lives of several New York socialites.[31]

Release [edit]

Marketing [edit]

White potato gave several interviews near Feud during the 2017 Winter TCA Press Tour.[32] The evidence'due south outset teaser trailer was released on Jan nineteen, 2017, and the 2d the following mean solar day.[33] That same calendar week, Lange and Sarandon appeared on the embrace of Entertainment Weekly every bit Crawford and Davis.[34] FX released another teaser on January 23, two on February 5, one on February 7, and one on Feb 8.[35] [36] [37] [38] [39] A short commercial for the show also aired during Super Basin LI.[40]

Premiere [edit]

Feud had its official premiere at the Chinese Theatre in Los Angeles on March 1, 2017.[41] Before the show's premiere, FX held screenings of the pilot episode at several gay bars across the U.s..[42]

Broadcast [edit]

The beginning flavor of eight episodes, Bette and Joan, premiered in the Us on March v, 2017 on FX[43] and on BBC 2 in the Britain on December 16, 2017.[44]

Soundtrack [edit]

The original television soundtrack of Feud: Bette and Joan, with music by Mac Quayle, was released in two editions: a regular edition with 23 tracks, and a limited edition with 31 tracks.[ citation needed ]

Reception [edit]

Disquisitional response [edit]

Feud received highly positive reviews, with major praise for Lange and Sarandon'southward performances. On review aggregator Rotten Tomatoes, the series has an approval rating of 91% based on 84 reviews, with an average rating of 8.1/10. The site's critical consensus reads, "While campily and sweetly indulgent, Feud: Bette and Joan provides poignant understanding of humanity, sorrow, and pain while breezily feeding inquisitive gossip-starved minds."[45] On Metacritic, the series has a score of 81 out of 100, based on 44 critics, indicating "universal acclaim".[46]

Melanie McFarland of Salon called the writing "creatively wicked" and the series "outrageously fantastic", praising Lange and Sarandon for their performances and for "tempering their corrupt rages and vengeful spats with a gutting sense of loneliness that tempers its lightness in solemnity."[15] Verne Gay of Newsday wrote that the serial is "Full of joy, humor, bright writing and performances, and a deep unabiding beloved for what really makes Hollywood great—the women."[47] People called the serial "bitter, biting and entertaining".[48] The Atlantic 'southward Spencer Kornhaber described the showtime few episodes as "deft and satisfying" but suggested that "maybe six installments, rather than 8, were all this tale needed".[49] Alan Sepinwall of Uproxx wrote that the series is "big and information technology's catty, but information technology'due south besides smart and elegant, with the old Hollywood setting toning down some of Murphy'south more scattershot creative impulses."[50] Emily Nussbaum, in The New Yorker, praised Spud'southward ambition and lauded both stars, maxim of the serial, "Beneath the zingers and the poolside muumuus, the prove'southward stark theme is how skillfully patriarchy screws with women's heads—mostly by building a home in in that location."[51]

Not all reviews were positive. Sonia Saraiya of Variety compared Bette and Joan unfavorably to Murphy'south The People 5. O. J. Simpson: American Law-breaking Story, writing that Feud is "neither as brilliantly campy and mean every bit What Ever Happened to Infant Jane? nor as contextualizing and profound equally People v. O. J. Simpson."[14] David Weigand of the San Francisco Relate gave the serial a mixed review, criticizing the script and Lange'south operation, but praising Sarandon'south, writing: "Lange is ever interesting, simply she's only occasionally convincing here as Crawford. The voice is as well high, for i thing. Sarandon fares better, every bit much skillful as that does with such a lousy script."[52] The Guardian besides criticized the series for being "lightweight", noting, "At just 8 episodes, there'southward almost likewise much to cover and at times, one craves a trivial more than depth to certain moments." They singled out Lange's performance, however, writing, "Lange in particular moves by just an easy impression to something with far more weight. In a reversal of fortune that would make Crawford cackle in her grave, information technology'due south likely that she'll be the one up for awards at the end of the year rather than her co-star."[53]

Controversy [edit]

On June xxx, 2017, a day earlier her 101st altogether, actress Olivia de Havilland filed a lawsuit against Feud: Bette and Joan for inaccurately portraying her and using her likeness without permission.[54] The lawsuit stated that the pseudo-documentary-style of the series leads viewers to believe that the statements made by the actress portraying de Havilland in the show are accurate, but that in fact de Havilland had not said such things in real life.[55] The various defendants filed a movement to dismiss under California'due south "anti-SLAPP" law. The trial court denied the movement but, on March 26, 2018, the California Court of Appeal, Second Commune, reversed the decision and ordered the lawsuit dismissed on the grounds that no person can "own history". The Courtroom of Appeal farther ruled the defendants were entitled to be reimbursed their attorneys' fees.[56] De Havilland filed for estoppels to pursue action with college courts, securing a restraining society against Murphy and the production company from airing Feud until further review and a court date with the United States Supreme Court. In January 2019, the Supreme Courtroom declined to hear the case.[57]

Ratings [edit]

The first episode drew two.26 million live-plus-same-twenty-four hour period viewers, which Deadline.com characterized as "solid" and made it the most watched program on FX that week. In comparison, the premiere of The People five. O. J. Simpson attracted 5.ane meg viewers in 2016, and the FX limited series Fargo got 2.66 million in 2014.[two] [58] The premiere earned three.8 one thousand thousand viewers in the Nielsen live-plus-three-days ratings, and 5.17 million viewers total when including 2 encore broadcasts, making it the highest rated new serial debut on FX since The People v. O. J. Simpson.[59] [60]

Accolades [edit]

Clan Category Nominated artist/work Result Ref.
Critics' Choice Telly Awards Best Express Series Feud: Bette and Joan Nominated
Best Actress in a Film/Limited Series Jessica Lange Nominated
Best Supporting Player in a Picture show/Express Serial Alfred Molina Nominated
Stanley Tucci Nominated
Best Supporting Actress in a Film/Express Serial Judy Davis Nominated
Jackie Hoffman Nominated
Golden Globe Awards Best Miniseries or Goggle box Film Feud: Bette and Joan Nominated [69]
Best Extra – Miniseries or Tv set Moving-picture show Jessica Lange Nominated [70] [71] [72]
Susan Sarandon Nominated
All-time Supporting Actor – Serial, Miniseries or Television set Pic Alfred Molina Nominated [73]
Hollywood Music in Media Awards[74] Main Title Theme – TV Show/Limited Series Mac Quayle Nominated
Primetime Emmy Awards[75] Outstanding Limited Serial Feud: Bette and Joan Nominated
Outstanding Pb Actress in a Limited Series or Movie Jessica Lange Nominated
Susan Sarandon Nominated
Outstanding Supporting Role player in a Limited Series or Picture show Alfred Molina Nominated
Stanley Tucci Nominated
Outstanding Supporting Actress in a Limited Series or Movie Judy Davis Nominated
Jackie Hoffman Nominated
Outstanding Directing for a Limited Series, Movie, or Dramatic Special Ryan Irish potato (for "And the Winner Is... (The Oscars of 1963)") Nominated
Outstanding Writing for a Express Series, Pic, or Dramatic Special Jaffe Cohen, Ryan Tater, and Michael Zam (for "Pilot") Nominated
Ryan Murphy (for "And the Winner Is... (The Oscars of 1963)") Nominated
Outstanding Casting for a Limited Series, Picture show, or Special Eric Dawson and Robert J. Ulrich Nominated
Outstanding Costumes for a Catamenia/Fantasy Series, Express Series, or Movie Lou Eyrich, Hannah Jacobs, and Katie Saunders (for "And the Winner Is... (The Oscars of 1963)") Nominated
Outstanding Hairstyling for a Limited Serial or Picture Chris Clark, Ralph Michael Abalos, Wendy Southard, and Helena Cepeda Won
Outstanding Main Championship Design Ryan Murphy, Alexis Martin Woodall, Kyle Cooper, Nadia Tzuo and Margherita Premuroso Nominated
Outstanding Makeup for a Limited Series or Movie (Not-Prosthetic) Eryn Krueger Mekash, Robin Beauschense, Tym Buacharern, Kim Ayers, Becky Cotton, and David Williams Won
Outstanding Master Championship Theme Music Mac Quayle Nominated
Outstanding Music Composition for a Limited Serial, Moving-picture show, or Special Mac Quayle (for "Airplane pilot") Nominated
Outstanding Production Design for a Narrative Contemporary or Fantasy Programme (One Hour or More) Judy Becker, Jamie McCall and Florencia Martin Nominated
Outstanding Short Grade Nonfiction or Reality Series Feud: Bette and Joan: Inside Await Nominated
Screen Actors Order Awards Outstanding Operation by a Female Histrion in a Miniseries or Television set Moving-picture show Jessica Lange Nominated
Susan Sarandon Nominated
Idiot box Critics Clan Awards[76] Outstanding Accomplishment in Movies, Miniseries and Specials Feud: Bette and Joan Nominated
Individual Achievement in Drama Jessica Lange Nominated
Susan Sarandon Nominated
Fine art Directors Guild Awards Television Movie or Limited Serial Judy Becker (for "Airplane pilot", "And the Winner Is…", "You Mean All This Fourth dimension Nosotros Could Have Been Friends?") Nominated [77]
Writers Order of America Awards Long Form – Original Jaffe Cohen, Tim Minear, Ryan Murphy, Gina Welch, Michael Zam Nominated [78]
Producers Guild of America Awards David Fifty. Wolper Award for Outstanding Producer of Long-Class Television receiver Feud: Bette and Joan Nominated [79]
ACE Eddie Awards Best Edited Mini-Series or Motion Movie for Television set Adam Penn and Ken Ramos (for "Pilot") Nominated [80]
Costume Designers Society Awards Excellence in Menstruum Television Series Lou Eyrich Nominated [81]

References [edit]

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External links [edit]

  • Official website
  • Feud at IMDb

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